And fine, if you’re a studio owner and someone wants, “the sonic character and integrity of analog recording systems”, then having an analog tape machine or a Sonoma system might make sense.
#Pure music dsd pdf#
Recognizing that the pdf file is a sales piece, I understand the hyperbole that the author of the brochure uses in this and subsequent passages. It is the Sonoma’s ability to capture extraordinary detail in the time domain that sets it far apart from conventional digital PCM recorders of any sample rate.” The Sonoma records audio as a one-bit sigma-delta stream at a sample rate of approximately 2.8 million samples per second. The audio recording technology inside the Sonoma is fundamentally different from standard PCM digital recorders. The Sonoma is the perfect solution for the artist who needs the power of a contemporary audio workstation but desires the sonic character and integrity of analog recording systems. “Nothing you can do will improve the sonic quality of your analog studio as dramatically as switching to a Sonoma DSD Multitrack Recorder-Editor with an EMM Labs front end.
#Pure music dsd full#
The brochure is full of testimonials from prominent engineers singing the praises of the DSD and SACD format as well as the Sonoma DAW. This was right after I had the opportunity to use a Sonoma system at Snow Ghost Studios in Whitefish, Montana.
I downloaded the Sonoma32.pdf electronic brochure from his site some time ago as I was studying the DSD ecosystem. The folks at Sony and Phillips were closely associated with Gus’ business. I know Gus and he’s a good engineer and believes in his products. This system, which was the first multichannel DSD digital workstation, was developed by Sony and made available to a number of studios and labels as the SACD format was emerging 13 years ago. Gus Skinas owns and operates the Super Audio Center in Boulder, Colorado, where he engineers various record projects and sells the Sonoma DSD audio recorder and editor.
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